Exploring Housing Trends: The Rise of Prefabricated Homes in Urban Areas

By Ed Estes

Our cities are under pressure. The gap between housing demand and supply has become one of the defining challenges of our time — and conventional construction alone cannot close it. Increasingly, architects, urban planners, and housing advocates are turning to prefabricated homes not as a compromise, but as a genuinely compelling alternative. Here’s what’s driving that shift, and what it means for the future of our urban fabric.

What Are Prefabricated Homes?

A prefabricated home — or prefab — is one whose structural components are manufactured off-site in a controlled factory environment, then transported and assembled on location. This is fundamentally different from conventional construction, where virtually all work happens on the building site under variable field conditions. The category is broad: it includes panelized systems (where wall, floor, and roof panels arrive ready to erect), modular construction (where three-dimensional volumetric units are stacked and connected), and fully factory-built homes that arrive nearly complete.

The materials themselves — engineered wood, steel framing, insulated concrete forms, and cross-laminated timber (CLT) — aren’t categorically different from those used in traditional architecture. What changes is the production logic. Factory conditions enable tighter tolerances, continuous quality control, and a dramatic reduction in weather-related delays. The result is a building process that is faster, more consistent, and far more predictable in cost.

“Prefabrication doesn’t constrain design — it shifts where design decisions are made. The factory floor is simply a different kind of construction site, one where precision is a structural feature, not an afterthought.”

Trends Driving the Popularity of Prefabricated Homes

Several converging forces have elevated prefabrication from niche alternative to mainstream housing strategy. The most immediate is affordability. Urban land costs remain persistently high, construction labor is both expensive and increasingly scarce, and traditional timelines add months of carrying costs to every project. Prefab addresses each of these. By moving much of the construction process into a factory, labor efficiency improves dramatically, and compressed on-site schedules reduce the financial exposure of developers and public agencies alike.

Sustainability is an equally powerful driver. Factory production generates significantly less material waste than site-built construction — studies consistently show reductions of 50–80 percent. Precision manufacturing also supports tighter building envelopes, translating directly into lower operational energy use. For cities with aggressive carbon reduction targets, prefabricated housing offers a path to meeting both volume and performance goals simultaneously. This aligns closely with the principles guiding our work in urban design, where environmental performance and density must advance together.

The policy environment is catching up. Jurisdictions from California to Japan to the Netherlands have introduced zoning reforms, expedited permitting pathways, and public procurement programs explicitly designed to accelerate modular and prefab housing at scale. When regulatory friction decreases, the economic and sustainability advantages of prefab become even more compelling.

Benefits of Choosing Prefabricated Homes

The case for prefabricated homes rests on multiple compounding advantages. Cost is the most frequently cited: a modular or panelized home typically delivers 10–20 percent savings over comparable site-built construction, with that margin growing as manufacturers achieve greater production volume. More important for urban markets is schedule certainty — projects that once took eighteen months now complete in nine, which matters enormously for housing agencies and developers managing financing risk.

Design flexibility is a less intuitive but equally important benefit. Early prefab was rightly criticized for its sameness in appearance. Contemporary systems have addressed this directly. Manufacturers now offer extensive finish libraries, façade options, and modular geometries that architects can configure to respond to specific site conditions, cultural contexts, and program requirements. The factory constraint has become a design vocabulary rather than a limitation — something our architectural design practice has found increasingly instructive.

At the urban scale, the implications are significant. Cities facing acute housing shortages need not just more units, but more units faster. Prefab’s compressed timelines create a meaningful increase in the effective production rate of affordable housing. Combined with its suitability for infill sites and its compatibility with accessory dwelling unit (ADU) programs, prefabricated housing is one of the most powerful tools available to urban design and  program management teams working on housing equity.

Future Outlook for Prefabricated Homes in Urban Areas

The trajectory is clear. Global prefabricated construction markets are forecast to exceed $250 billion by the early 2030s, with the residential sector — and particularly urban multifamily typologies — driving the bulk of that growth. The demographic pressures are real: urbanization continues, households are smaller and more diverse in their needs, and the climate imperative demands higher-performance buildings at lower embodied carbon costs.

The innovations shaping the next chapter of prefab are substantial. Building Information Modeling (BIM) and mass customization platforms now allow architects to design within factory constraints in real time, dramatically compressing the design-to-production cycle. Robotics and advanced automation are increasing throughput while further reducing per-unit costs. Mass timber — engineered wood products like CLT and glulam — is emerging as a structural system that combines the prefab workflow with dramatically lower embodied carbon and genuine architectural character.

Perhaps most significantly, the industry is developing adaptive and demountable systems — housing designed not just for initial occupancy but for disassembly, reconfiguration, and redeployment as community needs evolve. This lifecycle thinking represents a fundamental shift from housing as a fixed capital investment to housing as a durable, responsive urban resource. Communicating these possibilities clearly — across stakeholders, agencies, and communities — is precisely where graphics and digital content design plays a critical role in the housing conversation.

For architects, urban designers, and program managers, this is an inflection point. The firms and agencies that develop expertise in prefabricated systems now — understanding their production logic, their design opportunities, and their integration with urban housing policy — will be positioned to shape the next generation of American cities.

edESTESdesign brings design expertise to every scale of the housing challenge.

From architectural design and urban strategy to program management and community engagement, our integrated approach is built for the complexity of contemporary housing work. Let’s talk about what’s possible for your project or community.

Frank Lloyd Wright’s Fallingwater completes years-long renovation

by Josh Niland |

The Western Pennsylvania Conservancy has announced the completion of a three-year Fallingwater conservancy plan led by New York-based Architectural Preservation Studio.

The house American architect Frank Lloyd Wright designed in the mid-1930s for Pittsburgh-area retail magnate Edgar J Kaufmann was beset by water damage and other problems.

Despite several previous conservation campaigns, a carefully executed programme of works targeting its roofing, glazing systems, and masonry envelope was necessary.

Fallingwater
Architectural Preservation Studio has led a conservancy project at Fallingwater

Located in Mill Run, Pennsylvania, Fallingwater’s well-known flaws included recurring leaks, material degradation, failures in the building envelope, and moisture-sensitive original interior finishes.

“One of the biggest challenges was Wright’s decision not to install through-wall flashing,” Architectural Preservation Studio president Pamela Jerome told Dezeen.

“Another issue was Wright’s use of river pebbles instead of broken stone for concrete aggregate.”

Fallingwater
It took three years to fix water damage and structural problems at the famed house

“This choice caused debonding,” continued Jerome, referring to the lessening of bonding cement to round aggregate, “and led to alkali-silica reaction (or ASR).”

Now a popular tourist attraction, Fallingwater was added to the list of UNESCO World Heritage Sites in 2019, joining the Guggenheim Museum in a selection of eight total Wright designs completed before his death in April 1959.

Fallingwater
The project has had well-known flaws throughout its eight-decade history

The Western Pennsylvania Conservancy has maintained Fallingwater since it was donated to the charity by the Kauffman family in 1963. But upkeep has remained an issue.

“Leaks were mostly coming through the stone walls, as there is no through-wall flashing wherever a stone wall meets a roof or terrace,” Jerome said.

Fallingwater conservation
Preservation teams repaired leaks and gaps in the stone walls

“Some of the original structural engineering design was also problematic and required remedial intervention. The roofs and terraces were also re-waterproofed during this campaign.”

In response to these conditions, Jerome’s team filled gaps in the stone walls, repaired and sealed vulnerable joints, fixed and replaced windows and doors, and upgraded the roofs and terraces to finally remove leaks as an existential threat to the architectural treasure.

Fallingwater conservation
The team had updated the site previously, so it was familiar with some of the ongoing issues

“Some of the leaks were being caused by waterproofing membranes having reached the end of their service life, having been compromised by leaks from the stone walls,” said Jerome.

“Since through-wall flashing could not be remedially inserted, the stone walls were instead grouted wherever known leaks were occurring, as well as repointed. At the top of the stone walls, coping stones were lifted and through-wall flashing inserted below.”

The $7 million conservation program was considered vital to its continuance, as the remote attraction routinely draws nearly 150,000 visitors a year, according to its stewards.

“The team was already familiar with the history of the house and its interventions,” said Jerome, citing a previous effort from the office that was completed in 2004.

Fallingwater
The roof was also updated to prevent leaks

“Not only was there the institutional knowledge from previous projects, but also the ability to evaluate what worked and what didn’t from earlier work and refine the interventions accordingly.”

Final touches on Fallingwater’s main facility will be completed next month in unison with its 90th anniversary, as the scaffolding continues to be removed. Documentation of the completed work is forthcoming.

A renovation and the introduction of ancillary structures at Fallingwater were carried out by the American studio Bohlin Cywinski Jackson in 2017 and 2019.

Fallingwater
Much of the scaffolding has now been removed

The Frank Lloyd Wright Building Conservancy recently updated its visual identity to symbolically reflect the loss of heritage.

Elsewhere, the architect was named as one of the 15 most influential design minds in America’s 250-year lifespan by the Cooper Hewitt, Smithsonian Design Museum.

The photography is courtesy of Western Pennsylvania Conservancy 

Eight contemporary houses raised on stilts

by Tom Ravenscroft

Casa 144º by Jaime Prous Architects and Pineda & Monedero

Whether to make sloped sites level, prevent flooding or reduce impact on natural surroundings, houses on stilts are being built around the world. Here are eight of the best contemporary examples.


Houses on stilts: Exterior of House in the Delta by MAPA
Photography by Leonardo Finotti

House in the Delta by MAPA, Argentina

Raised on stilts to protect from periodic flooding on its riverside site near Buenos Aires, House in the Delta was the first Passivhaus-certified home built in Argentina.

Architectural studio MAPA described the home as “an amphibious house – built high above the ground to coexist with the periodic flooding on the banks of the Paraná Mini”.

Find out more about House in the Delta ›


House on stilts in Chile
Photography by Nicolás Saieh

Prat House, by ERRE Arquitectos, Chile

Located in Matanzas, Chile, the 128-square-metre Prat House was designed by Raimundo Gutiérrez of ERRE Arquitectos to take advantage of its coastal site.

The entire single-storey seaside house was elevated on steel stilts, with a raised walkway and timber steps providing access.

Find out more about Prat House ›


Swedish house on stilts
Photography by Markus Linderoth

Yngsjö by Johan Sundberg Arkitektur, Sweden

Constructed using predominantly light-coloured timber to help it blend with its surroundings, Yngsjö was built as a retreat from city life for a Swedish family based in London.

Located close to the shores of the Baltic Sea, the house is designed to sit lightly on the site with over half the structure raised on slender steel pillars.

Find out more about Yngsjö ›


Casa 144º by Jaime Prous Architects and Pineda & Monedero
Photo by Del Rio Bani

Casa 144º by Jaime Prous Architects and Pineda & Monedero, Spain

Architecture studios Jaime Prous Architects and Pineda & Monedero raised this metal-clad home on metal stilts above a steeply sloping site to the east of Barcelona.

Created for a retired couple who wanted an escape from the city, Casa 144º is lifted off the ground to minimise its impact on the landscape.

Find out more about Casa 144º ›


Residence Chez Léon by Quinzhee Architecture, Canada
Photography by Adrien Williams

Residence Chez Léon by Quinzhee Architecture, Canada

Described by its architect as “a contemporary chalet in harmony with its environment”, this cedar-clad residence was raised above a sloped site overlooking the St Lawrence River in Québec.

Quinzhee Architecture designed the 129-square-metre ski house to take advantage of its site and surrounding views.

Find out more about Residence Chez Léon ›


The Hole with the House Around by ElasticoFarm, Italy
Photography by Studio Campo

Hole with the House Around by ElasticoFarm, Italy

The aptly named Hole with the House Around comprises a series of boxy volumes raised on stilts surrounding a central void.

Architecture studio ElasticoFarm designed the structure as an extension to an existing 1970s house surrounded by trees in an Italian park in Cambiano, a town to the southeast of Turin.

Find out more about Hole with the House Around ›


Houses on stilts: Villa Grieg, by Saunders Architecture, Norway
Photography by Ivar Kval

Villa Grieg, by Saunders Architecture, Norway

Saunders Architecture designed this house overlooking a lake in Norway for the descendants of Norwegian composer Edvard Grieg.

Named Villa Grieg, the house combines a two-bedroom home with a music studio. The sloped music studio sits on the ground floor, with stairs leading up to the raised home that winds around a central void.

Find out more about Villa Grieg ›


Tetro Arquitetura
Photography by Jomar Bragança

Casa Açucena by Tetro Arquitetura, Brazil

The majority of this angular, lily-shaped home was raised on stilts to prevent the unnecessary removal of trees from its site in a lush Brazilian forest.

According to the studio, the black stilts that support the house were placed at “random” to emulate how trees grow in a forest.

Shibanee & Kamal Architects design green-roofed housing community in Texas

by Sonia Singh

Architects Shibanee Sagar and Aadi Sagar explain how they introduced green-roofed suburban housing to foster daily contact with nature in this Texas community, as shown in this exclusive video by Dezeen.

Called Tapestry, the 121-home community in Frisco, Texas, was designed by Bangalore-based architecture firm Shibanee & Kamal Architects and was built by its construction and development arm Total Environment.

The 56-acre site integrates curved planted roofs, garden access for every room and a pedestrian-friendly masterplan surrounded by creeks, waterways and more than 600 mature native trees.

CEO Aadi Sagar, who leads Total Environment in the US, explained that the project is designed to connect residents with nature through its materiality and layout.

“We like to use natural materials as much as possible,” he said in the video interview, highlighting the use of wood, marble and long-lasting brick that “develops its own character over time.”

Tapestry custom home development frisco
The homes were designed by Shibanee & Kamal Architects

Every home features a curved green roof that contributes to both thermal comfort and protection from extreme weather.

Co-founder Shibanee Sagar noted that the green roof provides insulation for the home throughout the changing seasons.

“It helps keep the home cooler in the summer and even when there are hailstorms, it actually protects the roof,” she said.

master bedroom of Tapestry by Shibanee & Kamal Architects
Every room opens up to its own garden

Indoor-outdoor connection is a central principle across the development, supported by garden access from almost every space.

“Letting the outdoors in has been one of the guiding principles of the design that we do,” Shibanee said.

Shibanee described her design approach as rooted in fluidity, emphasising natural light and ventilation. The homes incorporate sawtooth windows angled to avoid harsh sunshine, which Aadi said were oriented to bring in softer, indirect daylight.

Tapestry green roof Frisco Texas by Shibanee & Kamal Architects
The homes feature curved green roofs

He noted that the arrival sequence was designed to introduce the project’s curving geometry, with the form opening out as residents move indoors, adding that the homes incorporate geometric forms such as circles and squares to maximise natural light.

Interior spaces continue the material palette with warm, natural finishes. Wood and marble are used throughout, while a mirrored kitchen backsplash reflects the planting outside to bring views of the landscape into the home.

Tapestry custom home community in Frisco Texas
The 121-home community is located in Frisco, Texas

For Shibanee, these decisions stem from the belief that design is shaped by relationships between people and their environment.

“The only thing that is really going to carry you is your relationships – whether it is with the natural world or with people,” she said.

Shibanee & Kamal Architects is a global architecture and design studio founded in Bangalore in 1996 by Shibanee and Kamal Sagar.

The firm is known for integrating outdoor spaces and natural materials throughout its projects.

The photography is by Total Environment.

A’ design award’s past winning residences inspire submission to the 2026 competition

A' design award's past winning residences inspire submission to the 2026 competition

SUBMIT TO A’ DESIGN AWARD AND COMPETITION 2026

The internationally renowned A’ Design Award invites designers, architects, and visionaries from all disciplines to submit their best works for the 2026 competition. With the deadline on February 28 and results announcement on May 1, the international platform is a fantastic opportunity for the creative community to receive global recognition.

From expansive countryside villas to high-density apartment complexes and forward-thinking senior residences, a curated selection of past winners in residential architecture continues to inspire new ways of living. Whether as a professional firm or an emerging talent, follow the footsteps of these award-winning projects byentering your own design here.

A' design award's past winning residences inspire submission to the 2026 competitionbanner and above: Valencia House by Lucas Padovani image credit: Fran Parente

name: Valencia House

architect: Lucas Padovani

award: Platinum

FOUNDATIONS FOR EVERY SCALE AND CATEGORY

In the previous edition, the A’ Design Award saw a surge of projects that redefined the boundaries of domestic space. Recent winners like the Ripple House by Sam Alawie and the Park Wellstate Nishiazabu Senior Residence demonstrate a shift toward architecture that balances aesthetic luxury with functional social impact.

While the residential sector is a major highlight, the competition provides a structural framework for all creative fields. The program offers a vast array of categories, including the Good Industrial Design Award, Good Architecture Design Award, Good Product Design Award, Good Communication Design Award, and Good Fashion Design Award. For those working at the intersection of disciplines, further categories can be explored here.

A' design award's past winning residences inspire submission to the 2026 competitionFuma House by Masakatsu Matsuyama image credit: Toshihisa Ishii

name: Fuma House

architect: Masakatsu Matsuyama

award: Platinum

CONSTRUCTING SUCCESS WITH CAREER-BOOSTING BENEFITS

Winning an A’ Design Award is a catalyst for professional growth, offering much more than a physical trophy. The perks include international exhibitions, a spot in the exclusive hardbound yearbook, and features in top-tier design publications, including designboom. Laureates also gain inclusion in the World Design Rankings, project translations into over 100 languages, and extensive PR services, ensuring their architectural visions reach a global audience of developers and peers. 

To maintain the highest level of excellence, each entry is evaluated by the Grand Jury Panel. For the 2025–2026 cycle, the panel consists of 318 design professionals, academics, and industry experts. This rigorous peer-review process ensures a fair and objective evaluation, allowing the most innovative and impactful designs to stand out and be celebrated at the annual gala-night.

A' design award's past winning residences inspire submission to the 2026 competitionYokohama Chigasakihigashi Housing by Kei Tamai image credit: Principal Home Co.

name: Yokohama Chigasakihigashi

architect: Shin Takamatsu

award: Gold

A' design award's past winning residences inspire submission to the 2026 competitionAl Ghunayman Villa Architecture by Islam Farrag image credit: Islam Farrag

name: Al Ghunayman

architect:  Islam Farrag

award: Gold

A' design award's past winning residences inspire submission to the 2026 competitionWave Mansion Villa Residence by Liang Zhuomin image credit: Li Huan

name: Wave Mansion

architects: Liang Zhuomin, Jiang Xiaowen, Qin Tianyi, Li Zilin

award: Gold

A' design award's past winning residences inspire submission to the 2026 competitionUrban Clouds Congregate Housing by Ya-Yuan Design, Shanghefa Developmentimage credit: OS studio, Rex Chu

name: Urban Clouds

architects: Feng-Huang Pan, Anson Chen, Chun-Yao Hu, Jun-Kai Wang

award: Gold

Church Street, U Street + Reeves: A Look At The 14th Street Development Pipeline

by UrbanTurf Staff

Only a few large developments are still in the works along 14th Street, a corridor that defined DC’s development boom a decade ago. 

Today, UrbanTurf takes a look at the projects planned, delayed or under construction along and adjacent to the 14th Street Corridor. If we missed a big one along this route, shoot us an email at editor(at)urbanturf.com.


1250-U.jpg

Temperance Mews at U Street Metro

After securing all necessary approvals, Eastbanc and Jamestown listed the development site that sits at the Metro station at 13th and U Streets NW (map) for sale last year. The project, which was pitched back in 2022, never got started due to high construction costs.

The approved proposal included a 10-story building with 117-143 new residential units, retail, and 55-67 hotel rooms. There are also plans for 36 stacked duplex units along a “mews” greenspace in the public alley perpendicular to U Street.


14-aerial.jpg

Apartments, A Plaza + Dave Chapelle

There hasn’t been much movement of late on plans to redevelop DC’s Reeves Center at 14th and U Streets NW. 

In 2023, MRP Realty, Capri Investment Group and CSG Urban Partners were chosen to redevelop the building into 108,000 square feet of new Class A office space for the NAACP and DC agencies, a 24,000 square foot plaza, 322 mixed-income apartments, and a 116-key hotel. The retail space will include a restaurant from Top Chef participant Carla Hall and a comedy club from Dave Chapelle.

A 17,000 public plaza would be named for Frederick Douglass, and the project will provide space for The Alvin Ailey School, the Viva School of Dance and the Washington Jazz Arts Institute. Michael Marshall Design is the project architect. 


MCWB_ChurchSt_FrontPerspective_PRINT.jpg

14 Church

A large new condo development is coming to a block in Logan Circle that helped start the development boom along 14th Street NW over 20 years ago. 

Holladay Corporation is set to deliver 14 Church, a 65-unit project at 1455-1457 Church Street NW (map), at the end of 2026. The six-story building, designed by Eric Colbert and Associates, will incorporate the façades of the two existing structures on the site along with the adjacent empty lots. The development will deliver a mix of one- and two-bedroom condos and building amenities include a roof deck, a bike room and underground parking. 

Brooks + Scarpa Designs a Tranquil Woodland Retreat for a Creative Couple

Record Houses 2024

By Vernon Mays

After living and working in greater Los Angeles for 25 years, Steve and Kim Chase were eager to move back East. Natives of Montreal, they wanted a quieter life on a rural site, but without the bone-chilling Canadian winters. Lured both by their positive impressions of the region and the proximity of friends, they chose North Carolina as their new home.

There, on a wooded 60-acre site in the rolling hills near Hillsborough, they’ve built a striking 2,570-square-foot house that feeds the energy of the intensely creative couple while satisfying their high expectations for visual order and uncompromising design—a house that’s seemingly so simple, yet so nuanced.

Set among the towering pines, the Steeplechase House is a place of reflection and tranquility. (The moniker is a play on words, a reflection of the couple’s name and the fact that Kim has a long-standing passion for all things equestrian.) Two elemental forms—steep-roofed gabled boxes, each measuring 25 by 55 feet in plan—rest quietly among the trees, reflecting the landscape in broad expanses of mirrored glass while inviting the natural environment inside.

“I thought it was the right thing for that site, and it allows the building to extend into the landscape,” says Lawrence Scarpa, principal at Brooks + Scarpa of Los Angeles, who previously designed an office for Steve’s company, Reactor Films, that was completed in 1998. “In the summer, it’s almost as though it’s cloaked, where you don’t even see the house because it’s so dark.”

Clad in black corrugated steel, the two main volumes pinch toward each other on the west-facing side, forming a triangular courtyard that’s enclosed on the back by a low-slung loggia with floor-to-ceiling glass. While renting a place to live during their search for a building site, the Chases had come across an old board-and-batten chapel in Hillsborough and were drawn to its scale and simplicity. “We thought we could do something maybe that simple, but perhaps two of them—like a little compound,” says Kim.

Steeplechase House.

1

The two volumes are connected by a triangular courtyard (1 & 2). Photos © Mark Herboth, click to enlarge.

Steeplechase House.

2

The structure’s reflective glass and black exterior give the building an ever-changing presence through the seasons, receding into the forest’s dappled light in the summer and playing hide-and-seek among the tree trunks in winter. It’s well suited to the artistic couple, both of whom worked as art directors and have extensive photography experience. “We don’t get any high-angled light in this house,” notes Steve, a Clio Award–winning film producer, “so, in the early evening, it’s only the prettiest light. And when you get up in the morning, you get light filtering through the trees. It’s pretty cool.”

The two main volumes define the public and private zones of the house, with the transitional loggia housing the kitchen and dining area. As one steps from the loggia into the living area, the space explodes upward to an apex of 31 feet. Framed by a delicate steel grid, the view extends through the trees into a meadow carved from the forest.

Cabinets and shelves are built of plywood with a natural finish, providing warmth to the interior but maintaining an outdoorsy, cabinlike feel. The plywood finishes are complemented by French white oak flooring, which brightens the space.

Steeplechase House.

3

Plywood with a natural finish was used for cabinetry, while floors are French white oak (3 & 4). Photos © Mark Herboth

Steeplechase House.

4

The private side of the house is dominated by the light-filled primary bedroom, with its generous plywood-encased wardrobe and open walk-in shower and tub. Tucked behind is a laundry room and guest bedroom, whose Murphy bed is usually folded away so the space can be used as an office. (Future plans include a guest house on the site.)

A distinguishing feature is the house’s two projecting skylights—one on each of the pavilions. Playfully referred to by the Chases as “findows” (or finlike windows), the two rooftop registers allow changing displays of light and shadow that emphasize the sculptural form of the interior. The effect is subtly enhanced by the complex geometry of the two pavilions, whose walls are not parallel, just as the slightly angled spring lines of the gabled roofs are not horizontal. “It added some complexity, but also I think some interest, because the spring line inside is actually sloping,” says Scarpa. “It’s almost imperceptible, but you know it’s there.”

Steeplechase House.

5

The tall windows and high ceilings capture light that changes throughout the day (5 & 6). Photos © Mark Herboth

Steeplechase House.

6

It’s all part of the visceral experience of living here, where shifts in weather drastically alter the personality of the house. One minute it can be bright and sunny, Kim says, and the next there’s a threatening black sky with the loblolly pines bending in the wind. Furthering this connection to nature, the couple also helped restore the site’s ecology, clearing eight acres and planting heritage grasses such as bluestem, switchgrass, and rattlesnake master.

Steeplechase House.

A restored landscape creates a habitat for bees, birds, and other wildlife. Photo © Mark Herboth

Designing and building the house has been a labor of love for the Chases, who each applied a discriminating eye to help achieve its refined sense of craft. While they took a largely hands-off approach to the design process, their involvement in the construction is reflected in the finished product. Steve, for example, built a full-scale mock-up of the knife-edged concrete stair descending from the courtyard to help contractors envision how it should look. For her part, Kim refused to accept the county’s code requirement for unsightly floor outlets to be placed every 12 feet in the loggia. As an alternative, she designed elegant wooden floor grilles that conceal both the air ducts and electrical outlets and can be lifted out if power is needed.

“It was just important for us to get it right,” says Kim, acknowledging the luxury of living nearby and having the time to watch the house take shape day by day. The Steeplechase House is the singular outcome of that opportunity—the product of a creative collaboration between client and architect, with a minimum of artistic direction and an abundance of trust.

Angela Brooks of Brooks + Scarpa is a 2024 Women in Architecture Awards honoree. A celebration of this year’s winners will be held in New York City on October 1, following RECORD’s 2024 Innovation Conference. Registration information can be found here.

Steeplechase House.

Click plan to enlarge

Back to Record Houses 2024

Credits

Architect:
Brooks + Scarpa — Lawrence Scarpa, lead designer, principal in charge; Angela Brooks, Micaela Danko, Jeffrey Huber, Iliya Muzychuk, Chinh Nguyen, Fui Srivikorn, Calder Scarpa, Yimin Wu, Arty Vartanyan, design team

Associate Architect:
Katherine Hogan Architects

Engineer:
Kaydos-Daniels Engineers (structural)

Consultant:
Plan(t) (landscape)

General Contractor:
Tonic Construction, Vincent Petrarca

Client:
Steve and Kim Chase

Size:
2,575 square feet

Cost:
$1 million

Completion Date:
April 2024

Metro Picks Developer For 320-Unit Prince George’s County Project

A $140M development is moving forward next to the Capitol Heights station on Metro’s Blue Line, a corridor where Prince George’s County and Maryland officials are pushing for more growth.

A rendering of the development Atlantic Pacific Cos. plans to build at the Capitol Heights Metro station.

Metro selected a development team led by Atlantic Pacific Cos. to build 320 affordable apartments on a 3.8-acre surface parking lot next to the station, the transit agency announced Tuesday afternoon.

The apartments will be set aside for renters making no more than 60% of the area median income. The project is also planned to include 10K SF of retail. 

The site was previously awarded to Donatelli Development in 2014, but its project fell through and Metro began seeking a new development team in September 2024. 

The team selected Tuesday includes Torti Gallas + Partners as the architect and Whiting Turner as the general contractor. Atlantic Pacific Cos., a Miami-based developer with a national portfolio, owns at least three properties in the D.C. area and is also partnering on a 293-unit senior housing project near the Capitol Heights station. 

Sitting just over the Maryland side of the border with D.C., the Capitol Heights neighborhood only had seven new homes built between 2020 and 2024, according to the Blue Line Corridor Coalition. But the area is now primed for significant residential development in the coming years as state officials target it for growth. 

Several officials and development partners quoted in Metro’s Tuesday press release — including Gov. Wes Moore and Prince George’s County Executive Aisha Braveboy — framed the Capitol Heights project as a significant step toward addressing the area’s housing shortage. 

“This Blue Line Corridor project will help close the housing shortage in the community, connect more Marylanders to opportunity, and demonstrate what transit-oriented development should look like,” Moore said in a statement.  

Maryland in 2024 allocated $17M to upgrade the infrastructure around the Capitol Heights Metro station to allow for development. And the state has committed $450M to advance development on the Blue Line corridor, stretching from the D.C. border to the Largo terminus station. 

The corridor suffered a major loss last year when the Washington Commandersannounced plans to leave Northwest Stadium in 2030 and build a new stadium in D.C. Prince George’s County officials had advanced plans for more mixed-use development around the stadium and along the Blue Line corridor when vying to keep the team there, but they are still moving forward with the efforts. 

The Blue Line Corridor Coalition, launched in October, is led by the Local Initiatives Support Corp. in partnership with local business owners, developers and officials. It aims to spur revitalization and “equitable development” in the area, in part by supporting affordable housing projects. 

LISC provided financing to a 158-unit mixed-income project that Community First Development Corp. is building in the Capitol Heights area. Amazon‘s Housing Equity Fund also provided financing for that project in 2022. 

Contact Jon Banister at jon.banister@bisnow.com

Tech firm buys 10-acre Downtown Atlanta site for potential $3.8B project

By Henry Queen – Staff Reporter, Atlanta Business Chronicle

Ten acres in the heart of Downtown Atlanta have sold to a company that envisions an eye-catching project on property that is no stranger to ambitious proposals.

Webstar Technology Group on Wednesday said it closed on the site at the corner of Ted Turner Drive SW and Whitehall Street SW in the Castleberry Hill area. The price was not disclosed, and a deed for the sale has not yet been recorded. Previous financial disclosures said the sale was valued at $33 million.

David Branch and Peyton Stinson with SSG Realty Partners represented the seller, McCall Railroad LLC. Jae Kim with CBRE represented the buyer, a subsidiary of Webstar called Forge Atlanta Asset Management. The firm has said it will sell cryptocurrency tokens to help finance the project. That would not “replace traditional financing, but rather adds a new, carefully structured opportunity,” per the company.

“Closing on the land for Forge Atlanta marks a major milestone in our vision to transform an under‑utilized industrial block into a vibrant, mixed‑use district,” Webstar Technology Group CEO Ricardo Haynes said in a statement. “By integrating traditional real estate financing with compliant blockchain technology, we are opening the door for residents, investors and communities to participate in Atlanta’s growth.”

In 2021, Urbantec Development Partners proposed a life science research hub for the site — a plan that fizzled two years later. Kim, a vice president at CBRE, led that company and still has a small stake in the new Forge Atlanta project.

Webstar, a public company, is valued at roughly a penny on OTC Markets, though it has inched up in recent days. As of Sept. 30, Webstar had $7,789 in cash and a little over $600,000 in total assets — most of which were related to this real estate project, according to a recent U.S. Securities and Exchange Commission filing.

Phase 1 of Forge Atlanta, as this project has been dubbed, would include a 300‑key hotel, approximately 600 residential condominiums, and about 60,500 square feet of retail and entertainment space, according to a news release. About 1,600 parking spaces are also planned. The condos are expected to be priced from $750,000 to $2.4 million.

SSG listing
The 10-acre Downtown Atlanta site that sold on Dec. 17 is highlighted in yellow.

A September feasibility study from CBRE and Turner and Townsend said the overall plan is to build 950 hotel rooms, over 2,300 condo units, two 300,000-square-foot office buildings, two 100,000-square-foot data centers, two 40,000-square-foot conference centers, a 50,000-square-foot entertainment center and more.

Across all phases, there may be more than 8.5 million square feet of development, carrying a cost of $3.77 billion, according to the feasibility study. Ernst & Young and Develop Fulton projected the full project would create 3,000 jobs (construction and permanent) and generate an economic impact of over $7 billion, Webstar said.

It’s a staggering proposal that raises some questions. Bisnow reported in July that Webstar has left behind a trail of red flags, including nonexistent permits, collapsed land deals and unverifiable resumes.

Some elements of the project may be difficult to execute. In 2024, the city of Atlanta banned new data center development within a half-mile of MARTA stations, and the Forge property is within that distance from MARTA’s Garnett station. Condo development in Atlanta has been limited in the near two decades since the Great Recession. New office construction has plummeted since the pandemic.

Plus, Downtown Atlanta does not typically attract projects of this scale meant to make a profit. The ongoing $5 billion Centennial Yards development is supported by up to $1.9 billion in public financing, which was approved by Atlanta City Council in 2018.

Meanwhile, the nearby revitalization of historic buildings in South Downtown is made possible because of tech entrepreneur David Cummings’ investment, bolstered by proceeds from the growth and eventual sales of his former startups. The project does not need to hit a certain internal rate of return to pay investors or lenders.

“We’re not competing to get IRR returns to go sell the buildings,” SoDo Atlanta LLC CEO Jon Birdsong, Cummings’ business partner, recently told Cushman & Wakefield’s Tim Wright on the Sunbelt Developers podcast.

Develop Fulton did recently advance a public financing plan for the first phase of the Forge Atlanta project. The authority’s board of directors voted in October to approve a $223.7 million bond inducement resolution, resulting in approximately $9.7 million in tax savings over 10 years for Webstar.

A public commenter during the Develop Fulton meeting raised questions about the accuracy of Webstar’s presentation and criticized the company’s lack of public engagement.

In its Dec. 17 news release, Webstar committed to hosting community meetings, workforce development programs and cultural events starting in 2026.

According to the news release, other companies involved in the project include:

  • Turner & Townsend will provide development management. 
  • Skanska has participated in preliminary discussions and pre-construction planning as a potential general contractor, subject to the negotiation. 
  • Skyline Engineering will provide in‑house oversight and quality control. 
  • Kimley-Horn will serve as the lead engineer. 
  • Nelson Worldwide will lead design.

A ceremonial groundbreaking is projected for mid-2026, and construction of the first phase is expected to last up to three years.

Several options at play as DC leaders consider transit for new Commanders stadium

Homa Bash WASHINGTON

DC leaders discuss transit options for the Commanders’ new stadium.

D.C. council members and transportation leaders met for hours on Wednesday to figure out the best way to get people in and out of the new Commanders stadium.

Planning starts:

We’re just about 14 months away from the start of construction, but the conversation about transportation is well underway. 

Leaders repeatedly made it clear that this transportation plan isn’t just for Commanders’ fans on eight or nine Sundays — it’s for the people who live in these neighborhoods surrounding the stadium 365 days a year.

AI Conceptual Illustration

“Even folks who were opposed to the stadium early on, they know it’s coming, so they want it to be successful,” D.C. Councilmember and Chair of the Transportation Committee Charles Allen said. 

He says success means a smooth ride for fans and everyday residents. 

“It’s not having tens of thousands of people driving cars here. It’s thinking about transportation. Get people on Metro,” Allen said. 

“I can imagine there’s going to be a lot of cars and people trying to park, so being able to alleviate that is going to be a benefit to the community,” resident Olo Olakanmi told FOX 5. 

Big picture view:

The D.C. Council hearing saw representatives from the D.C. Department of Transportation, WMATA, and the Commanders, as well as ANC commissioners in neighboring communities.

Allen emphasized that this is more than just a stadium — they’re also planning 6,000 to 8,000 new homes, 20,000 people living in a brand-new neighborhood.

AI Conceptual Illustration

As of now, there are two parking garages planned for the Commanders Stadium, expected to hold about 6,000 vehicles. But when it comes to transit, there are several possibilities at play.

Dig deeper:

Metro would need major upgrades to use the Stadium Armory stop — likely including adding an entrance, elevator, and expanding the mezzanine.

A new Metro stop could end up costing hundreds of millions of dollars and take years to build.

WMATA is getting $2 million from the District for planning. General Manager Randy Clarke said that the goal is to have 40% of game day traffic come from public transit.

But that could also include bus rapid transit lines moving people from Union Station to the stadium along the H Street corridor.

“I have confidence we’re all going to work together, and everyone has the same goal here — to make this the best possible urban sports facility and mixed-use development in the country,” Clarke said. 

The plan right now is to have shovels in the ground by March 2027 and construction complete by May 2030.

“We want to make this the most transit-friendly stadium but also make sure all modes of transportation are optimized for folks to get there,” DDOT Director Sharon Kershbaum said. 

So, a lot of these transit decisions need to be made fairly quickly.