How the Ancient Greeks Designed Their Cities

by Maria Rybachuk

Despite wide diversity, city-states in Ancient Greece were united by a common design system that structured their architectural landscape.

Cities occupied a special place in ancient culture in Greece since they were relatively independent units not only economically but also militarily and politically.

Initially, settlements grew organically without a common design idea. However, later, ancient Greeks began to rebuild their towns and plan public areas according to certain universal rules.

The city layout usually had a rectangular structure. Streets and houses were arranged in such a way that their inhabitants could access water, have a lot of sunlight, and be surrounded by bountiful landscapes.

Inventor of urban design

Hippodamus, an ancient Greek architect and urban planner, is considered to be the founder of this system. 

Grecian Delight supports Greece

He introduced a new principle of city planning, which was characterized by geometric shapes and straight wide streets intersecting at right angles. 

Commissioned by Pericles around the middle of the 5th century BC, Hippodamus developed a plan for Piraeus, the port of Athens. He is also credited as the one who designed Ancient Rhodes, which is now roughly under the entire modern city.

Thus, the settlements were built and designed according to certain beliefs and had much in common.

Ancient agora

thessaloniki ancient roman agora
Thessaloniki ancient roman Agora. Credit: Marco Verch / Flickr CC BY 2.0

The agora was the heart and center of the hectic life of any city in Ancient Greece. It was a large open space where people met, socialized, traded, discussed political issues, and gave lectures.

They were shaped as squares or rectangles and spacious enough to host plenty of shops and markets. Those squares were located close to the center and all main city roads led to them.

Temples in ancient cities

The 🏛Temple of Artemis, also known as the Temple of Diana, was a monumental ancient Greek temple located in the city of Ephesus, which is in present-day Turkey. It was dedicated to the goddess Artemis (known as Diana in Roman mythology), who was the Greek goddess of hunting,… pic.twitter.com/hDgBKRPp7m

— Wired Trends (@AncientLoreHub) August 8, 2023

Ancient Greek temples positioned around the Agora were dedicated to patron gods like Athena for Athens and Zeus for Olympia. These sanctuaries were designed with luxury in mind and decorated with frescoes and precious statues. A distinctive feature was the outer colonnade encircling the temple.

The towering sculptures of deities stood tall in the center for attention. Constructed from materials such as marble and bronze, these figures depicted gods standing or seated on lavish thrones.

Temples were part of sacred complexes, often featuring gardens and fountains. Entry was reserved for priests, while citizens participated in religious life through festive processions and offerings at altars outside.

Stoas

A stoa, or covered walkway, lined the streets and provided shelter for pedestrians. These spaces encouraged people to gather, converse, and share news.

These structures looked like free-standing walkways with a long wall and a row of columns in front of it.

Frequently, they served to mark the agora’s borders, while the rear wall had special openings to shops where merchants sold their wares.

Theaters in Ancient Greek cities

Ancient Greek theater
Ancient Theater of Epidaurus. Credit: Carole Raddato / CC-BY-SA-2.0 / Wikimedia Commons

Theaters, alongside agoras, held significance in ancient Greek urban landscapes. These open-air structures were predominantly semicircular, utilizing the natural slope of hills to create amphitheater-like arrangements.

The tiered steps were segmented into wedges by stairs extending from lower to upper seats. Low railings enclosed the edge seats, while the first row featured stone backs reserved for dignitaries, priests, and esteemed guests.

Typically, a theater featured a circular and level space called the orchestra, which was separated from the front row by a low barrier.

Initially covered with sand and later paved with stone slabs, theaters could typically accommodate crowds of ten to twenty thousand people.

Residential areas

The dwelling homes of the ancient Greeks were quite different from the richly decorated buildings of public significance. As for their own residences, they preferred simplicity and conciseness.

The houses of upper class families have been studied most extensively. As a rule, they were quite low and consisted of one or two floors. The premises faced the street with blank walls, and all life was concentrated in the courtyard. This open area was the main source of natural light, and the inhabitants used it for cooking, raising animals, and building religious shrines. There was also a place for heating in winter and a well with fresh water.

According to the general design plan, there were covered passages along the perimeter of the courtyard, which eventually turned into a colonnade. This type of Greek interior later became known as the peristyle.

The houses consisted of two or three rooms, the floors of which were adobe or stone. Wealthy people often chose more expensive marble tiles for flooring.

Ancient Greek Houses

In ancient times, homes innovatively featured bathrooms supplied with water through pipes. The air in the room was at a comfortable temperature due to wind heating from the hearth of the next room. As for lighting, the owners of ancient Greek houses used resin torches.

Sectors for men and women

Within many households, a distinct feature emerged in the form of a designated men’s chamber, known as the andron. These rooms were typically elevated on platforms, representing the main and most decorative space in the house. The andron served as the epicenter of social activities, hosting guests and celebrations. A prevailing notion suggests  these spaces were solely utilized by men.

In parallel, the women’s space, known as gynaeceum, found their place either on the second floors or secluded private sections towards the back parts of the building.

Defensive walls in city design

Defensive Walls Rhodes
Defensive walls were most often erected from stones and bricks. Credit: Jorge-Lascar / CC-BY-2.0 / Wikimedia Commons

Massive walls around cities were a necessary and indispensable element of the urban structure to protect against raids from neighboring enemies.

Stones and bricks were the most commonly used materials for building defensive walls. Such structures also often included towers and gates for observation and repelling hostile attacks. Sometimes walls extended all the way to the city’s seaport so that new supplies could flow into the city during a siege.

The only ancient Greek city that did not have defensive walls was Sparta. The legendary legislator Lycurgus said that a well-fortified city is one surrounded by a wall of men rather than a wall of bricks. The ancient Spartans considered themselves invincible warriors, so they were proud of having no special urban constructions for protection.

Populous launches Atlanta office as stadium business booms

By Henry Queen â€“ Staff Reporter, Atlanta Business Chronicle

Populous is setting up shop in Atlanta after 30 years of local projects dating back to the 1996 Olympic Games.

The global design firm recently debuted here with five employees but could rapidly grow, said Jonathan Mallie, managing director of the Americas at Populous. The office is at 505 North Angier Ave. NE, where the Industrious at Old Fourth Ward coworking space is located.

Industry veterans Rob Svedberg and Lee Pollock were recruited from TVS and Jacobs, respectively, to lead the office.

“We’ve always had an eye on the Southeast,” Maillie told Atlanta Business Chronicle in a phone interview. “But for one reason or another, we never opened an office in the Southeast despite the number of projects we had. Taking a look at the amount of work, Atlanta makes the most sense in the world. You’re talking about an international hub; an incredible, vibrant city; and a place that we’re extremely excited to be a part of.”

The company’s portfolio of work includes Truist Park; Georgia Tech’s McCamish Pavilion; Nashville, Tennessee’s Geodis Park soccer stadium; and the renovation of Synovus Park, the new home of the Atlanta Braves’ minor-league affiliate in Columbus. Then known as HOK Sport, the company was also instrumental in planning out the venues and temporary infrastructure for the ’96 Olympics.

Ongoing stadium projects in the Southeast are Mobile Arena in Alabama and the University of South Carolina’s Williams-Brice Stadium, which is benefiting from approximately $350 million in upgrades.

Kansas City, Missouri-based Populous is also active at Hartsfield-Jackson Atlanta International Airport through its subsidiary Fentress Studios, which it acquired for an undisclosed sum in June 2025. That Denver-based architecture firm is working to create a more efficient lobby and security checkpoint at the north terminal.

Airports are similar to stadiums, Maillie said, in that they draw large crowds of people and are ripe for improving the customer experience.

The people that Populous recruited to head the Atlanta office are notable. Svedberg was involved in the initial design work at LaGrange Cricket Stadium, the 10,500-seat project that broke ground late last year. Other projects of his include the expansion of New York City’s Javits Center, Mumbai’s Jio World Centre, Nashville’s new Nissan Stadium and the rooftop expansion of the Colorado Convention Center in Downtown Denver.

Pollock brings 30 years of design experience, with projects located in North America, Europe, the Middle East, Asia and Australia.

Other team members include Jonathan Bartlett, Matt Friesen and Meredith Mejia.

Just last month, Populous opened an office in Austin, Texas. Headcount at its Los Angeles office, meanwhile, grew about tenfold since its opening, Maille said.

“We have every intention of growing the Atlanta office,” Maille said. “It can move quickly if things are going well.”

Populous has 35 offices across the world, employing more than 1,600 people.

Last year, the firm relocated its Kansas City headquarters in the Country Club Plaza area to Downtown’s 1400KC building, also home to Blue Cross and Blue Shield of Kansas City.

Populous also recently launched a new real estate service focused on designing mixed-use districts around sports, entertainment and civic venues. Atlanta is a hotbed for that activity, as evidenced by The Battery Atlanta surrounding Truist Park and Centennial Yards rising in the shadows of Downtown’s Mercedes-Benz Stadium and State Farm Arena.

“We refer to them as experiential districts that are developing around venues,” Maillie said. “And those venues could be sports facilities, they could be purely concert venues. They could be airports, or they could be convention centers. [It’s] almost a movement right now.”

A New Plan For The H Street Corridor

A plan is in the works to give a boost to the struggling H Street Corridor. 

DC’s Office of Planning (OP) along with the Office of the Deputy Mayor for Planning and Economic Development has picked architecture firm Torti Gallas to conduct a land use and market study for the corridor that saw a huge development boom between 2010 and 2018.

The study will focus on the stretch between 3rd Street NE and 15th Street NE, examining market trends and the possibility for more development and public realm improvements. Torti Gallas will be tasked with “creating an economic development strategy that promotes a vibrant mix of retail and housing while enhancing the pedestrian experience along this significant transit corridor,” according to OP. 

The H Street Corridor has encountered significant headwinds in the post-pandemic world. A 2023 article in the Washington Post outlined how increased crime in the area was resulting in a sense of unease among residents, and a number of neighborhood establishments closed as a result. The streetcar, that opened to significant fanfare in 2016, will shut down at the end of March. 

Season’s Greetings: A Year of Creativity and Collaboration

As we celebrate this festive season, I wish to express my heartfelt gratitude for your continued support and collaboration throughout the year.

In this past year, I have had the pleasure of working on innovative architectural designs, thoughtful urban planning projects, creative graphic designs, and dynamic web solutions—all made possible by your trust in me.

May this Christmas bring you peace, joy, and wonderful moments with your loved ones. I look forward to continuing our partnership in the New Year and bringing your visions to life.

Ed Estes
Principal
edESTESdesign

Merry Christmas and a Happy New Year!